{"title":"Jam Pedals","description":"","products":[{"product_id":"jam-pedals-dyna-ssor-compressor-guitar-effect-pedal","title":"JAM Pedals Dyna-ssoR Compressor Guitar Effect Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWhether you are after the squashing power of a dinosaur, capable of that vintage thumpy attack and endless sustain, or you just want to musically tame your dynamic range, the NOS CA3080 chip equipped Dyna- ssoR will effortlessly nail it for you.\u003c\/p\u003e\n\u003cp\u003eJam Pedals are committed to creating well tuned circuits that allow our designs to feature the minimum number of straight-forward and responsive controls and sound great no matter how you dial them in. The Dyna-ssoR is a great testament to exactly this effort!\u003c\/p\u003e\n\u003cp\u003eIt makes everything sound like “more”! \u003c\/p\u003e\n\u003ciframe width=\"380\" height=\"200\" src=\"https:\/\/www.youtube.com\/embed\/TyVFs-VnFeo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e.","brand":"JAM Pedals","offers":[{"title":"Default Title","offer_id":31003806849,"sku":"20JAM005","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/dynassor-top.jpg?v=1685464286"},{"product_id":"jam-pedals-waterfall-chorus-vibrato-guitar-effect-pedal","title":"JAM Pedals Waterfall Chorus Vibrato Guitar Effect Pedal","description":"\u003cp\u003eA JAM pedals favorite for a lot of guitar, bass and keyboard players, the WaterFall is serving as a mainstay on boards of such greats as John Scofield, Nels Cline, Steve Lukather, Anthony Jackson and John Mesdeski for many years now, and has established itself as one of the best analog chorus\/vibrato pedals in the market.\u003c\/p\u003e\n\u003cp\u003eIt features BBD chips faithful reproductions of the Panasonic MN3207, 2 toggle-switches, the first to select between chorus and vibrato modes, and the other to switch to a “wetter” effect resulting in a deeper, more contemporary sounding chorus, or a more intense, deranged vibrato sound! 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Its layout is straightforward and intuitive, featuring a highly responsive set of controls for\u003cbr\u003evolume, tone, and gain. Two toggle switches further expand its versatility:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e•The left toggle switch alternates between a mid-scooped voicing (delivering a raw, industrial fuzz ideal for tight riffing and a pronounced octave effect) and a full-range voicing (perfect for harmonically rich lead lines).\u003cbr\u003e•The right toggle switch selects between symmetrical and asymmetrical clipping, providing distinct flavors of tightness, feel, and definition. 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Its ground-up all-analog redesign preserves the soul of the original while expanding its expressive range. A wider Depth and Speed span, plus new Tap Tempo and Ramping functions, invite deeper interaction and performance freedom.\u003cbr\u003e\u003cbr\u003eSwitch between Chorus and Vibrato modes to explore everything from slow, liquid waves to fast, rotary-like spins· always alive, always unmistakably RetroVibe.\u003cbr\u003e\u003cbr\u003eThe RetroVibe Mk.4 is already in the hands of Paul Gilbert, Greg Koch, Joey Landreth, and Ruban Nielson of Unknown Mortal Orchestra, long-time RetroVibe users, whose feedback on the Mk.4 has been unanimously enthusiastic.\u003cbr\u003e\u003cbr\u003ePlug in a standard passive 10k expression pedal for real-time control of modulation Speed, and shape the sound as it moves. Roses are red violets are blue the RetroVibe’s purple and you’ll looove it too!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JAM Pedals","offers":[{"title":"Default Title","offer_id":48874656891123,"sku":"20JAM040","price":469.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/RVmkIV_1x1_-1-Photoroom.jpg?v=1776972280"},{"product_id":"jam-pedals-tiny-amp-destroyer-pedal","title":"JAM Pedals Tiny Amp Destroyer Pedal","description":"\u003cp\u003e\u003cspan\u003eA NOTE FROM STU\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhat kind of absolute maniacs would decide\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eto recreate a tiny $30 pawn shop amp in a guitar pedal? An amp that no one (except me) thinks is cool. One deliberately designed to be cheap and nasty. Crunchy. Boxy. Buzzy. But... there’s something about that amp... It can do things that nice big amps can’t do. And anyway, shitty is pretty! JAM pedals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand I chatted a couple of years ago about some\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eother cool ideas which never eventuated, but when they asked if I’d be up for a limited-edition King Gizz pedal to celebrate our 2025 residency in Athens I said:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“TINY AMP DESTROYER!”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI’m sure they thought to themselves “what the fuck”, but what they said to me was: “Colour us intrigued!” (I’d been running two Boomster clean boost pedals into my favourite tiny amp and it felt like destruction.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJAM pedals tracked down the same amp and I told them all about how it had been around the world with me and why I loved it, and through some kind of sorcery they recreated my favourite tiny amp in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea pedal (I have no idea how).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI am forever grateful because this pedal rules. It also has some other cool tricks up its sleeve. Like a treble boost. And a “magic” switch. It can actually be subtle if you want. Or extremely wild. You can use a clean amp or a dirty amp. Any guitar, any pickup. You’ll get different results, but always exciting. But you don’t need to know any of this. You just need a guitar. And a couple of cables. And a 9V power supply. And some fingers. And then you can be the destroyer. It’s fun.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnjoy the Tiny Amp Destroyer! Love, Stu xox\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHOW WE GOT HERE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStu had been building around a very particular sound in recent KGLW records: two Boomsters pushing a tiny Cash Converters amp far beyond where it was meant to go.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe recreated that setup on our side and spent time with it until we understood where it starts to come apart. There’s a point where the amp stops smoothing itself out. The breakup shifts, the response changes, and the whole thing starts behaving in a way bigger amps simply don’t.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThat’s the part we kept.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTAD is a way of getting into that same territory, but with enough control to shape it. The gain is split into two stages you can run on their own or stack, letting it move from driven tones through to much heavier ground.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt can lean into that blown-out, small-amp character, or sit as a full-range drive that holds its place in a mix, from low gain breakup through to dense, saturated distortion. There’s enough shaping there to move well beyond that boxed-in feel when you want it to.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt’s not a polished distortion. It comes from pushing something past where it’s meant to go and staying there.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe artwork by Jason Galea, the visual mind behind much of King Gizzard’s world, reflects that same idea. 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