{"title":"JHS Pedals","description":"","products":[{"product_id":"jhs-the-at-anthony-timmons-signature-overdrive-pedal","title":"JHS The AT+ Andy Timmons Signature Overdrive Pedal","description":"\u003cp class=\"\"\u003e\u003cspan\u003eIn 2016 JHS brought the AT, Andy Timmons artist signature pedal and we are really proud to bring you the next iteration of this phenomenal stomp box, The AT+. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDOES THE AT+ SOUND THE SAME AS THE ORIGINAL AT?\u003c\/h3\u003e\n\u003cp class=\"\"\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same.   They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused. \u003c\/p\u003e\n\u003ch3\u003eTWO CHANNELS ARE BETTER THAN ONE!  \u003c\/h3\u003e\n\u003cp class=\"\"\u003eNew to the AT+ is an independent foot-switchable Boost...essentially creating a second channel and gain stage for the pedal.  The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more.  Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel. \u003c\/p\u003e\n\u003ch3\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 15 MA, AND MEASURES 2.2\"X4.8\"X1.6\".\u003c\/h3\u003e\n\u003ch3\u003eYOU CAN SAFELY RUN “THE AT“ AT 18 OR 9 VOLTS\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":21655684097,"sku":"20JHS020","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/jhs-pedals-AT_Red.jpg?v=1738701078"},{"product_id":"jhs-morning-glory-overdrive-pedal","title":"JHS Morning Glory Overdrive Pedal V4","description":"\u003cp\u003eThe Morning Glory is undoubtedly JHS's most well-known overdrive pedal, winning more awards and receiving more accolades than any of their other designs. JHS worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly...you get the idea.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTruly Transparent Tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone. So just plug into our Morning Glory overdrive for yourself. Then you’ll understand.\u003c\/p\u003e\n\u003cp\u003e- Gain control sweeps from completely clean to rock ‘n’ roll\u003cbr\u003e- Tame high end on brighter rigs with the side-mounted bright-cut switch\u003cbr\u003e- Increased headroom and output for use as a full-frequency boost\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn-the-fly Versatility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cp\u003e- Switch to a more powerful sound with enhanced low end and grit\u003cbr\u003e- Plug in your JHS Red Remote for switching between the two voices with the tap of your toe\u003cbr\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eV1 = bigger white enclosure with black knobs; no bright-cut switch; no logo.\u003cbr\u003eV2 = changed to smaller current enclosure; gold powder coat color.\u003cbr\u003eV3 = bright-cut toggle added.\u003cbr\u003eV4 = 2x more headroom; Gain toggle added; Red Remote system added.\u003c\/p\u003e.","brand":"JHS","offers":[{"title":"Default Title","offer_id":21655789121,"sku":"20JHS007","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS_Pedals_Morning_Glory_V4.jpg?v=1738701057"},{"product_id":"jhs-buffer-splitter-pedal","title":"JHS Buffered Splitter Pedal","description":"\u003cdiv class=\"wpsc_description\"\u003e\n\u003carticle id=\"desc\" class=\"webtext\"\u003e\n\u003cdiv class=\"webtext-block\"\u003e\n\u003ch2\u003eGet Your Signal Where You Need It!\u003c\/h2\u003e\n\u003cp\u003eGet your signal where you need it with the JHS Buffered Splitter. This ultra-compact splitter is a handy box for any rig. Send your guitar's signal to your amp and a tuner, or send it to your pedalboard and a mixer. It's also a great way to split your signal for dual amplifier rigs. Split your signal any way you can think of! And the buffered output won't degrade your signals clarity or tone. Take command of your signal flow today with the JHS Buffered Splitter!\u003c\/p\u003e\n\u003cstrong\u003eJHS Buffered Splitter Features at a Glance:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSplit your signal through two output\u003c\/li\u003e\n\u003cli\u003eBuffered output keeps your tone and clarity intact\u003c\/li\u003e\n\u003cli\u003eSplitter works great with guitar, bass, keyboards, and more\u003c\/li\u003e\n\u003cli\u003eUltra-compact form factor takes up very little space on your pedalboard\u003c\/li\u003e\n\u003cli\u003eRequires a 9V power supply (not included)\u003c\/li\u003e\n\u003cli\u003eHand built in Kansas City, MO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan class=\"h4black\"\u003eSplit your signal with the JHS Buffered Splitter!\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003csection class=\"product-specs\"\u003e\n\u003ch2\u003e\n\u003cbr\u003eTech Specs\u003c\/h2\u003e\n\u003cul class=\"table\"\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cstrong class=\"table__header\"\u003ePedal Type: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eSplitter \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cstrong class=\"table__header\"\u003eAnalog\/Digital: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eAnalog \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cstrong class=\"table__header\"\u003eInputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x 1\/4\" \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cstrong class=\"table__header\"\u003eOutputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x 1\/4\" \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cstrong class=\"table__header\"\u003eBypass Switching: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eBuffered \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cstrong class=\"table__header\"\u003ePower Source: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e9V DC power supply (sold separately) \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cstrong class=\"table__header\"\u003ePower Usage: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e\u0026lt;100mA \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\" itemprop=\"height\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/QuantitativeValue\"\u003e\n\u003cstrong class=\"table__header\"\u003eHeight: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1\"\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\" itemprop=\"width\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/QuantitativeValue\"\u003e\n\u003cstrong class=\"table__header\"\u003eWidth: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1.5\"\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\" itemprop=\"depth\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/QuantitativeValue\"\u003e\n\u003cstrong class=\"table__header\"\u003eDepth: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e3.6\"\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\" itemprop=\"weight\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/QuantitativeValue\"\u003e\n\u003cstrong class=\"table__header\"\u003eWeight: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e0.26 lbs.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cform class=\"product_form\" enctype=\"multipart\/form-data\" method=\"post\" name=\"1\" id=\"product_440\" action=\"https:\/\/www.jhspedals.com\/products\/bass-pedals\/buffered-splitter\/\"\u003e\n\u003cdiv class=\"wpsc_product_price\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"wpsc_buy_button_container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/form\u003e.","brand":"JHS","offers":[{"title":"Default Title","offer_id":28565258881,"sku":"20JHS029","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/jhs-pedals-Buffered_Splitter_1b7ce71e-2a4c-4989-9478-b1d3dd6c4470.jpg?v=1738701022"},{"product_id":"jhs-the-bonsai","title":"JHS The Bonsai Overdrive Guitar Effect Pedal","description":"\u003cdiv class=\"wpsc_description\"\u003e\n\u003ch3\u003eYour Overdrive Zen\u003c\/h3\u003e\n\u003cp\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer.  It is probably the most produced and sold pedal in the history of guitar pedals!   The Bonsai is JHS's tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp\u003eFollowing in the steps of Muffuletta (released 2015), JHS's The Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box!  The Bonsai is exact replication, not emulation.  When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003cp\u003eLets take a look at the 9 modes of the Bonsai based on the 9 pedals chosen by JHS...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOD-1 - 1977\u003c\/strong\u003e\u003cbr\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-808 - 1979\u003c\/strong\u003e\u003cbr\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-9 - 1982\u003c\/strong\u003e\u003cbr\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMSL, Power or L Series - 1985\u003c\/strong\u003e\u003cbr\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of.  Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-10 - 1986\u003c\/strong\u003e\u003cbr\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExar OD-1 1989\u003c\/strong\u003e\u003cbr\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-7 (+mode) - 1999\u003c\/strong\u003e\u003cbr\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeeley Mod Plus - 2002\u003c\/strong\u003e\u003cbr\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJHS Strong Mod - 2008\u003c\/strong\u003e\u003cbr\u003eJHS's own mod they’ve been doing since 2008. It is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003c\/p\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003ch5\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cform class=\"product_form\" enctype=\"multipart\/form-data\" method=\"post\" name=\"1\" id=\"product_9294\" action=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/bonsai\/\"\u003e\u003c\/form\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":13651040632874,"sku":"20JHS011","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/p_d3b1c555-c27f-4e7d-838d-8c8dab47153f.jpg?v=1738701079"},{"product_id":"jhs-summing-amp-blender-guitar-pedal","title":"JHS Summing Amp Blender Guitar Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output.  Simply plug into the two marked inputs and then plug in your single output and you’re ready to go. From two signals the Summing Amp creates one mono signal.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the 80s with his delays. When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays”. This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. This simple little box takes two inputs and creates one output but it adds up to a whole lot more!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":14444612288554,"sku":"20JHS061","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/jhs-pedals-Summing.jpg?v=1738701073"},{"product_id":"jhs-switchback-pedal-switcher-guitar-pedal","title":"JHS SwitchBack Pedal Switcher Guitar Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals Switchback is a small unassuming box with a massive feature set. It began its life as a device that we designed just for ourselves to test and compare pedals in the JHS workshop but we soon realized that it was extremely useful for everyone’s guitar rig on stage or in the studio. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Switchback has one input, one output and two separate selectable effects loops (Send\/Return), plus an A\/B toggle that is controllable by our Red Remote switching system. The foot-switch is 100% true bypass, so when it’s off, it's not affecting your signal in any way. There are millions of ways to use the Switchback (Maybe not a million but… You get the idea) but here are a few of our favorite applications that are incredibly useful!\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. An A\/B True Bypass Looper \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlace a pedal or chain of pedals in the first loop and place a different pedal or chain of pedals in the second loop. The toggle\/red remote will allow you to quickly switch between those two loops. This is great for instantly placing different effects chains in and out of your rig on the fly or for shooting out two pedals with zero dead time in-between playing… Find out if that old TS808 sounds better than your TS-9 :-) if you demo different pedals, this is a must have. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. A Simple True Bypass Looper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlace your pedal or chain of pedals that you want in the first loop. The toggle\/Red Remote will now toggle between the loop with your effects and the clean bypass signal. There’s no need to bridge the second loop with a patch cable as the Switchback automatically bypasses any loop where there’s nothing plugged in to the jack. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. An A\/B Box\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSimply use Send 1 and Send 2 to go to two different amps or any other application where you need two switchable outputs, and don’t use the output. Again, using the Red Remote gives you the ability to switch on the fly while playing!\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. An Amp Input Switcher\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUse Send 1 to channel one and Send 2 to channel two. This allows you to “channel switch” on any amp with multiple inputs like old Marshalls and Fenders!\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. An Effects Loop A\/B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlug your amp's effects loop Send into the input and the amps return into the output. Then toggle between the two loops of the Switchback as in example #1 above. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 1x1” Red Remote accessible!!! \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig. So grab a Switchback and get to climbing!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e.","brand":"JHS","offers":[{"title":"Default Title","offer_id":14444620087338,"sku":"20JHS062","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/jhs-pedals-Switchback.jpg?v=1738701077"},{"product_id":"jhs-colour-box-v2-preamp-guitar-effect-pedal","title":"JHS Colour Box V2 Preamp Guitar Effect Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe most significant improvements are:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAddittion of an Output transformer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSafely Passes 48v Phantom Power\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEQ Shift Knobs for precision EQ control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHi\/Lo Switch for ultra clean headroom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e100% available clean signal even on acoustic guitar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSilent switching, aka no \"switch-pop\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRuns on standard 9V DC Neg power\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLet's take a look at the features and controls of the Colour Box V2.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available.  In the Lo mode, you will easily be able to get ultra clean sounds without breakup.  Lo Mode is excellent for tone shaping when distortion is not needed.  In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls.  The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +\/- 17dB of control.  If you want to boost high-mid frequencies, turn the Mid Shift knob to 3:00 or above and increase the Middle knob above 12:00. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12:00. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone.  Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":31052245991466,"sku":"20JHS068","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/jhs-pedals-Colour_Box_V2.jpg?v=1738701028"},{"product_id":"jhs-paul-gilbert-pg-14-distortion-guitar-effect-pedal","title":"JHS Paul Gilbert PG-14 Distortion Guitar Effect Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cspan\u003eJHS Pedals is proud to release the Paul Gilbert signature distortion \"PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cspan\u003eThis circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low\/moderate volume levels.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cspan\u003eA second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cspan\u003eThis design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\n\u003cspan\u003eThe PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!\u003cbr\u003e\u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\u003cspan\u003eThe Paul Gilbert PG-14 runs on 9V DC negative center power\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":31201363329066,"sku":"20JHS069","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/jhs-pedals-PG_Sig.jpg?v=1738701063"},{"product_id":"jhs-3-series-chorus-guitar-effect-pedal","title":"JHS 3 Series Chorus Guitar Effect Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"m_-7572514222006785430m_7828915484289128030bloop_customfont\"\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":32006246236202,"sku":"20JHS074","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-3-Series-Chorus-front.jpg?v=1738701004"},{"product_id":"jhs-3-series-delay-guitar-effect-pedal","title":"JHS 3 Series Delay Guitar Effect Pedal","description":"\n\u003cp class=\"\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.   \u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003cul\u003e\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":32006303875114,"sku":"20JHS076","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/Delay.jpg?v=1738701006"},{"product_id":"jhs-3-series-distortion-guitar-effect-pedal","title":"JHS 3 Series Distortion Guitar Effect Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":32006346440746,"sku":"20JHS077","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/Distortion.jpg?v=1738701007"},{"product_id":"jhs-3-series-overdrive-guitar-effect-pedal","title":"JHS 3 Series Overdrive Guitar Effect Pedal","description":"\u003cp class=\"\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. \u003cbr\u003e\u003cbr\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":32006680903722,"sku":"20JHS079","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/Overdrive.jpg?v=1738701013"},{"product_id":"jhs-3-series-reverb-guitar-effect-pedal","title":"JHS 3 Series Reverb Guitar Effect Pedal","description":"\n\u003cp\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay knob allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003c\/p\u003e\n\n","brand":"JHS","offers":[{"title":"Default Title","offer_id":32006687686698,"sku":"20JHS080","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/Reverb_e0daaf92-8730-4710-bbd8-081c47467835.jpg?v=1738701015"},{"product_id":"jhs-3-series-phaser-guitar-effect-pedal","title":"JHS 3 Series Phaser Guitar Effect Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003cbr\u003eThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":41241084625077,"sku":"20JHS083","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-3-Serires-Phaser-Front.jpg?v=1738701014"},{"product_id":"jhs-3-series-harmonic-trem-guitar-effect-pedal","title":"JHS 3 Series Harmonic Trem Guitar Effect Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp\u003eJHS 3 Series Harmonic Trem Guitar Effect Pedal\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":43205855510771,"sku":"20JHS088","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS3Trem.jpg?v=1738701011"},{"product_id":"jhs-3-series-octave-reverb-guitar-effect-pedal","title":"JHS 3 Series Octave Reverb Guitar Effect Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp\u003eJHS 3 Series Octave Reverb Guitar Effect Pedal\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":43205863506163,"sku":"20JHS089","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS3REv.jpg?v=1738701012"},{"product_id":"jhs-volture-9v-voltage-sag-utility","title":"JHS Volture 9V Voltage Sag Utility","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSince the fuzz effect was invented in the early sixties, guitar players have gone to great lengths to achieve the perfect fuzz tone. Legends say that Duane Allman placed his fuzz pedal in the freezer between sessions to cool down the transistors, and that Roger Mayer meticulously modified Hendrix’s Fuzz Faces beyond recognition in search of an elusive, magical fuzz experience. Fortunately, even apart from these mythological methods, there’s one trick that always works: use a dying battery. Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to Josh from JHS for a practical solution for this technique– and the Volture was born. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Volture is a modern day device for your vintage fuzz circuitry. Simply place it in between your power supply and your pedal, and you can precisely trim the input voltage and perfectly replicate the tone of a dying battery. As the song says, “Power is made by power being taken.” \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThough we developed it specifically for vintage fuzz circuits, the Volture will work on any fully analog pedal. In fact, you might be surprised by the trippy sounds you find lurking in your favorite overdrive or distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 12MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":43646398857459,"sku":"20JHS091","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/Volture.jpg?v=1738701087"},{"product_id":"jhs-flight-delay-pedal","title":"JHS Flight Delay Blue Chorus\/Vibrato\/Delay Pedal","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe JHS Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, JHS worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith three modes (Delay, Reverse, and Analog) inspired by their all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further! \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMIX\u003c\/span\u003e\u003cspan\u003e - Controls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eREPEATS\u003c\/span\u003e\u003cspan\u003e - Controls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEQ\u003c\/span\u003e\u003cspan\u003e - Adjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTIME\u003c\/span\u003e\u003cspan\u003e - Controls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMODULATION - \u003c\/span\u003e\u003cspan\u003eThe fight delay features a meticulously designed modulation path that affects the delayed signal. This can be used to perfectly emulate the modulation textures of a *Memory Man’s vibrato’d repeats or a vintage tape delay’s lo-fi warble warble and everything in between. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMOD DEPTH - Controls the depth or level of the modulation effect. Left is less, right is more.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMOD RATE - Controls the rate of the modulation. Left is slower, right is faster.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMODE TOGGLE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eANALOG - A filtered analog-style BBD delay that harkens back to classic echo pedals like the \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eEHX Memory Man and BOSS DM-2.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eREVERSE - Plays the delay signal backwards, inspired by effects like the Danelectro Back Talk and Line 6 DL4 Reverse mode. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDIGITAL - Crisp, digital-style delay that pays tribute to early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e**Note: when switching between modes, the delay time will default to the Time control setting.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSUBDIVISION TOGGLE - Sets the interval of delay repeats - quarter note, eighth note, or dotted eighth note in relation to your tapped tempo.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMODULATION TOGGLE - Sets delay modulation style to chorus, vibrato, or off.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTRAILS BYPASS MODE- Allows the repeats to trail when the pedal is bypassed. To activate or deactivate, hold both footswitches for two seconds while the pedal is on. The left bypass LED will blink, and the setting will be retained.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTAP\/EXPRESSION CONTROL FOR DELAY TIME\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTAP - For external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEXPRESSION - For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLEFT FOOTSWITCH - Bypass switch, which turns the effect on and off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRIGHT FOOTSWITCH - Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT - 1\/4” jack on the top right side of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT - 1\/4” jack on the top left side of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTAP\/EXP JACK - 1\/4” jack on the top between the input and DC jack. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePOWER - Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eTHE JHS PEDALS FLIGHT DELAY IS IN NO WAY AFFILIATED WITH OR ENDORSED BY IBANEZ, BOSS, DANELECTRO, ELECTRO-HARMONIX OR LINE 6.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSKU \u003c\/span\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":46258551816435,"sku":"20JHS097","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-Flight-Delay-Blue.jpg?v=1738701037"},{"product_id":"jhs-violet-lari-basilio-signature-purple-pedal","title":"JHS Violet Lari Basilio Signature Purple Pedal","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Violet Distortion is a new take on distortion\/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier. The unique three-band EQ sets the Violet apart from our other popular distortion pedals. JHS placed the Midrange control before the distortion circuit as a powerful pre-amp distortion shaping tool. This single design choice allows the Violet to achieve hundreds of tones, from overdrive to full-on modern distortion. Treble and Bass controls are located in a more traditional position after the distortion circuit, offering familiar but extremely flexible post-distortion shaping you’re accustomed to.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Violet also excels at stacking with other overdrives, distortions, and fuzzes, allowing it to fit perfectly into any rig as a second or new primary dirt device.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis pedal is for anyone looking to give their guitar a new voice. As Lari put it, “Why would I need words when my guitar can speak for me?” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVolume - \u003c\/span\u003e\u003cspan\u003eControls the overall volume of the unit. Left is less, right is more.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMid Sweep -\u003c\/span\u003e\u003cspan\u003e Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrive - \u003c\/span\u003e\u003cspan\u003eControls the amount of drive. Left is less, right is more.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLow - \u003c\/span\u003e\u003cspan\u003eControls level of bass frequencies. Noon is flat, left is cut, right is boosted.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMid - \u003c\/span\u003e\u003cspan\u003eControls level of mid frequencies. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Sweep control.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHigh - \u003c\/span\u003e\u003cspan\u003eControls level of treble frequencies. Noon is flat, left is cut, right is boosted.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT -\u003c\/span\u003e\u003cspan\u003e ¼” jack on the top right side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT -\u003c\/span\u003e\u003cspan\u003e ¼” jack on the top left side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePOWER -\u003c\/span\u003e\u003cspan\u003e Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided. Silent, soft touch switching with a buffered bypass.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cspan\u003eTHIS PEDALS MEASURES 4.7” X 3.5” X 1.5” AND CONSUMES 55mA.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cspan\u003eLEARN MORE ABOUT LARI –\u003c\/span\u003e\u003ca href=\"http:\/\/www.madisoncunningham.com\/\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.laribasilio.com\/\"\u003e\u003cspan\u003eWWW.LARIBASILIO.COM\/\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":46258561057011,"sku":"20JHS099","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-VioletPurple.jpg?v=1738701086"},{"product_id":"jhs-3series-rotary-chorus-effect-pedal","title":"JHS 3 Series Rotary Chorus Effect Pedal","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond* organs, the Leslie* was a rotating speaker that created the recognizable Doppler effect (think church organ). You’ve heard rotary effects on everything from It’s Only Love by the Beatles to Cold Shot by Stevie Ray Vaughn and from City Love by John Mayer to Black Hole Sun by Soundgarden. It’s everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format! \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIntensity determines the modulation depth. Speed lets you control how fast the simulated speaker “spins.” When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient “room microphone” sound that happens when recording a real Leslie*. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eVOLUME -\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eControls the overall volume of the pedal. Left is less, right is more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eINTENSITY \u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e-\u003c\/strong\u003e Controls the modulation depth. Left is less, right is more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eSPEED -\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eControls how the rate of modulation. Left is slower, right is faster. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eROOM -\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eSwitch down is standard effect. Switch up adds a roomy reverb. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eINPUT -\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e¼” jack on the right side of the pedal. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eOUTPUT -\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e¼” jack on the left side of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eRequires 9VDC negative center power and consumes 65mA. Not not use more than 9VDC. You will void your warranty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65m, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*Hammond and Leslie are registered trademarks. The JHS Pedals 3 Series Rotary Chorus is in no way affiliated with or endorsed by Hammond or Leslie.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":46679984603379,"sku":"20JHS103","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-3Series-Rotary-Chorus-Front.jpg?v=1738864992"},{"product_id":"jhs-3series-oil-can-delay-effect-pedal","title":"JHS 3Series Oil Can Delay Effect Pedal","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHow We Got the Oil Can Delay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions – specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThese delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal “charge” was written and read through rubber wiper “heads.” The playback speed was directly related to the drum’s rotation speed. The oil acted as a protective layer to keep the audio signal “charge” electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: “Why settle for less with a Leslie when you can get more with Morley?” Morley manufactured oil can delays up until 1989. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhy Are They Making One?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt Wilco’s Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they’d ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn’t have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco’s \u003c\/span\u003e\u003cspan\u003eCruel Country\u003c\/span\u003e\u003cspan\u003e and now their latest release, \u003c\/span\u003e\u003cspan\u003eCousin\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThough the JHS Oil Can Delay isn’t a signature artist pedal, we’re still grateful to Nels Cline for inspiring it. JHS is proud to offer you this unique pedal for your own collection. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMIX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Controls the mix of echo and clean signal. Left is less, right is more.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSPEED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Controls the length of the delay time from 100ms to 330ms. Left is shorter, right is longer.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFEEDBACK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Controls the amount of feedback or repeats of the delay signal. Left is less, right is more. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e+\/- \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- The toggle allows you to switch between modulation intensities. In the down position, you have light movement, and in the up position, you have heavier movement. The modulation speed is associated with the delay time control (shorter is faster and longer is slower, reminiscent of the oil can warble in relation to the delay speed). \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- 1\/4” jack on the right side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- 1\/4” jack on the left side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65m, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":46680011047155,"sku":"20JHS104","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-3Series-Oil-Can-Delay.jpg?v=1738865721"},{"product_id":"jhs-424-gain-stage-pedal","title":"JHS 424 Gain Stage Pedal","description":"\u003cp\u003e\u003cspan\u003eThe 424 Gain Stage gives all the elastic, lo-fi tone inspired by a guitar being plugged straight into a vintage 424 multi-track recorder.  With the 424 Gain Stage pedal, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMulti-track recorders were made famous in the ‘80s and ‘90s, and gave musicians and songwriters the ability to bring our songs to life from the comfort of our cluttered bedrooms. These devices meant for home studios eventually found their way onto hit records like Springsteen’s Nebraska, the Wu-Tang Clan’s Enter the Wu-Tang, and Spoon’s Gimme Fiction. Many of the vocal parts and fuzzy guitar tracks on Gimme Fiction – a huge inspiration for the creation of the \u003c\/span\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/jhspedals.info\/_t\/c\/v3\/AAD5wCB0mCeqkQAaYHeyIcML14qbRUdsjG7vcO7tRsxz1K2jGJuYoOUEoCBCZVbM7ujEyt1B38_OdFB0nQtfdjAeg2U2GFMkzn_-fmMqp7qIC1yyYcRFJ8BWOmJJpZ6hN9jUkVbyWpmejgN43yGTd3ucuwGzzWsoKQiK1kKwsFuZvSrgQRTIXcvExrjCvFhXwawgN4WLrIvGU91nMQLMjajlCU2PGL4Bf4qMJrcUVvhc9QlzjVl7B-kzFQMHKltZmkVe8VXusaN9l1pLOVXr3EmBQ4e6-WqLX4Sle93X4A8Ry1fx_aYmwy8OIf95wstJvq0k2oQRXJ5FdQJ_LJCcVdTcWlhcOz5L9a_VbFf6qTpMY3nrNIPW1VjQTFeHTX-e2eB__QgAvFaC81EILPmN8Sr1MGC4zWSVosXPen4EFZREMYYyKt2Cbo7TDG0b-IZF5CSIJ5yynqia_tF95XFzqynQhcySbMdsXdm1uDmHOiVWpKrbc9DDoIAHGf-K_mE-UdRnQZlw\u0026amp;source=gmail\u0026amp;ust=1760110262662000\u0026amp;usg=AOvVaw30wIZasSA4ZJnVnmRp09ew\" href=\"https:\/\/jhspedals.info\/_t\/c\/v3\/AAD5wCB0mCeqkQAaYHeyIcML14qbRUdsjG7vcO7tRsxz1K2jGJuYoOUEoCBCZVbM7ujEyt1B38_OdFB0nQtfdjAeg2U2GFMkzn_-fmMqp7qIC1yyYcRFJ8BWOmJJpZ6hN9jUkVbyWpmejgN43yGTd3ucuwGzzWsoKQiK1kKwsFuZvSrgQRTIXcvExrjCvFhXwawgN4WLrIvGU91nMQLMjajlCU2PGL4Bf4qMJrcUVvhc9QlzjVl7B-kzFQMHKltZmkVe8VXusaN9l1pLOVXr3EmBQ4e6-WqLX4Sle93X4A8Ry1fx_aYmwy8OIf95wstJvq0k2oQRXJ5FdQJ_LJCcVdTcWlhcOz5L9a_VbFf6qTpMY3nrNIPW1VjQTFeHTX-e2eB__QgAvFaC81EILPmN8Sr1MGC4zWSVosXPen4EFZREMYYyKt2Cbo7TDG0b-IZF5CSIJ5yynqia_tF95XFzqynQhcySbMdsXdm1uDmHOiVWpKrbc9DDoIAHGf-K_mE-UdRnQZlw\" target=\"_blank\"\u003e\u003cspan\u003eColour Box \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e– were actually recorded on a vintage multi-track unit. Since hearing those recordings, the 424 Gain Stage has been brewing in the background, and now we’re proud to bring it to you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this historically accurate recreation,\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e we perfectly replicated the original 424 MKI circuit using the original UPC4570 and NJM4565 op-amps and all the original controls\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which is crucial for recreating the unique character that makes the old units sound so great.  The 424 MK1’s gain controls–trim, channel volume, \u0026amp; master volume–all work in tandem for dialing up your desired tone and can be further refined with the Low and High EQ settings.In addition, our unit offers a ¼” output alongside a balanced XLR output (DI out) for ultimate flexibility in any situation, live or studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe 424 Gain Stage as a DI\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGoing DI will give you the exact same unparalleled gooey texture and lo-fi fuzz you get when plugging directly into a 424 without the hassle of dragging around your beloved multi-track recorder. Leave it on your recording desk for easy access. If you want to get fancy, you can toss an \u003c\/span\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/jhspedals.info\/_t\/c\/v3\/AACHbScUUyJLTgH-odXwOZWYjZq0obbEmb08xVHadSKqeNlx8Qh6o2JMsWO67QRRirPSGFywF1-40qPXM2PVH7xVAkutuCNK6BscE9b1E7FyGPz7-E1hIwRnyGlVAZNJuVvx9JXPvUWZgSN7v8kz76La0rCb7hELyh4qY1FKC7ekKkl6ug0jcHNJihLu_ThySf1tkQzoFuINoNSvwiahYqHZv_3ufBm9AYpaaTIafu0QnOLFxG7CZ5crmSEd1J9EK7bfOY8swrHvf6uWJCieO_7xVECEwGZF6SCq4KvA3bHltDm4ccj9u2QOszooTV-6vO3j1_EhJSIhrQqIk114G5_SVne3c7avbuvU_z_CZ2t7jJrgSbSVY8rZPvSc0-rIGhIchEGgMSlHYYMQ-jaX3Bzej4u0eHFGk-ASHvUtNGJxdZ0pAhenffmIB4m7S8RXZdqk_0ee82E-cds8OC9Liz9MK50c5QlExQdP9A%3D%3D\u0026amp;source=gmail\u0026amp;ust=1760110262662000\u0026amp;usg=AOvVaw0I1al670H8orSLjVVZrBCk\" href=\"https:\/\/jhspedals.info\/_t\/c\/v3\/AACHbScUUyJLTgH-odXwOZWYjZq0obbEmb08xVHadSKqeNlx8Qh6o2JMsWO67QRRirPSGFywF1-40qPXM2PVH7xVAkutuCNK6BscE9b1E7FyGPz7-E1hIwRnyGlVAZNJuVvx9JXPvUWZgSN7v8kz76La0rCb7hELyh4qY1FKC7ekKkl6ug0jcHNJihLu_ThySf1tkQzoFuINoNSvwiahYqHZv_3ufBm9AYpaaTIafu0QnOLFxG7CZ5crmSEd1J9EK7bfOY8swrHvf6uWJCieO_7xVECEwGZF6SCq4KvA3bHltDm4ccj9u2QOszooTV-6vO3j1_EhJSIhrQqIk114G5_SVne3c7avbuvU_z_CZ2t7jJrgSbSVY8rZPvSc0-rIGhIchEGgMSlHYYMQ-jaX3Bzej4u0eHFGk-ASHvUtNGJxdZ0pAhenffmIB4m7S8RXZdqk_0ee82E-cds8OC9Liz9MK50c5QlExQdP9A==\" target=\"_blank\"\u003e\u003cspan\u003eActive A\/B\/Y\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e switcher at the end of your rig and send the A output to your amp and the B output to the JHS 424 Gain Stage input, then XLR output of the pedal directly into your mixer or interface. This way, you can flip between your amp and the 424 Gain Stage easily or play through both at the same time. Give it a try! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe 424 Gain Stage with an Amp\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlugging a multi-track recorder into your amp is quite a feat. In this pedal format, you can easily integrate the tone of the 424 with the saturation of your favorite amp. This adds a whole new quality to the tone and gives the ability to stack it with your other pedals. Use it as a gain stage to boost your signal, a unique and colorful new overdrive sound, or push the gain knobs into full-on overloaded and broken fuzz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eVOLUME\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e(Corresponds to 424 Master) \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e- Controls the output volume. Left is less, right is more.  On the 424 MKI, this is the MASTER fader. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGAIN 1 (TRIM) \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e- Sets how much preamplification will be added to the input signal.  On the 424 MKI, this is the TRIM control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGAIN 2 (CHANNEL) \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e- Sets the volume level of the second gain stage. On the 424 MKI, this is the CHANNEL fader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBASS \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e- Cuts or boosts bass frequencies. Left is less, right is more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTREBLE \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e- Cuts or boosts the treble frequencies. Left is less, right is more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eINPUT\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e - Top ¼” right jack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOUTPUT \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e- Top ¼” left jack.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eXLR OUTPUT\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e - XLR jack on the left side of the pedal. This is a balanced output which can be used as a direct-out straight into a mixer or interface. The 1\/4” output and XLR output can be used simultaneously.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGROUND LIFT\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e - Dip switch on the left side of the pedal. If you experience a hum\/buzz while using the XLR output, use this switch to lift the ground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e - Requires 9VDC center negative power and consumes 50mA. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 424 Gain Stage is silent, soft touch switching with a buffered bypass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 50MA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":47594678943987,"sku":"20JHS105","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHSPedals_424GainStageFront.jpg?v=1753812222"},{"product_id":"jhs-morning-glory-clean-overdrive-pedal","title":"JHS Morning Glory Clean Overdrive Pedal","description":"\u003ch4 dir=\"ltr\"\u003eWHEN TRANSPARENT OVERDRIVE ISN'T GOOD ENOUGH\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJHS took their most legendary overdrive to a new level and \u003c\/span\u003e\u003cspan\u003eredefined what it means to be transparent. Clearer pick attack, improved low end, and more versatile gain stacking. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the ultimate first-stage overdrive pedal. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/M_KS9eS87Eg?si=YUuJQXa0KftTz7cG\" height=\"200\" width=\"380\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eIT STARTED AT SOUND CHECK. \u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJosh from JHS watched Julian Lage \u003c\/span\u003e\u003cspan\u003edial in his tone at a sound­check in Chica­go. Vin­ta­ge Fen­der amp. Collings semi-hol­low gui­tar. He ad­just­ed pickup heights, moved po­si­tions on stage, chas­ing the per­fect bal­ance. It was cap­ti­vat­ing. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJu­lian has used a Morn­ing Glo­ry for years — he's a big rea­son it end­ed up on jazz ped­al­boards world­wide. Af­ter the sound­check, they dis­cussed what he looked for in an over­drive. One thing led to an­oth­er. His brain start­ed wan­der­ing off into dif­fer­ent ideas. Could JHS make the Morning Glory even better? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eTHE PROBLEM WITH TRANSPARENT.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen you add over­drive — any type of clip­ping — you lose nu­ance. Pick at­tack gets com­pressed. Dy­na­mics nar­row. All overdrives shape frequency response, even the most transparent.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSo they tried some­thing no one's done: they took our Morn­ing Glo­ry (a Blues­breaker-style topol­o­gy) and com­plete­ly re­built it around a stu­dio-grade par­al­lel clean blend. Not just a mod­i­fi­ca­tion, a re­design from the ground up.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn pa­per, it seemed point­less — why blend a clean sig­nal into some­thing al­ready trans­par­ent? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere's why. The Morn­ing Glo­ry's magic happens when you turn up the Drive, the circuit boosts higher harmonics and adds soft com­pres­sion. Jan­g­ly. Per­fect in a mix. The par­al­lel clean cir­cuit lets you keep all that while di­al­ing the nat­ur­al low end back in — all the tone, all the char­ac­ter. Noth­ing com­pro­mised.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eTHIS ISN'T A CLEAN KNOB SLAPPED ON A MORNING GLORY. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor those won­der­ing — let's talk about what's ac­tu­al­ly hap­pen­ing in­side.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Clean con­trol uses a dual-gang po­ten­tiome­ter. As you turn it, clean gain scales pro­por­tion­al­ly with the drive sig­nal — it’s per­fect­ly en­gi­neered from the ground up. Most clean blends are an af­terthought — a sim­ple mix knob tacked onto an ex­isting cir­cuit. This one was de­signed so the two sig­nals track to­geth­er across all gain settings. No vol­ume jumps. No weird phase is­sues. Just seam­less blend­ing from Morn­ing Glo­ry to pure sig­nal and every­thing in-be­tween. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe pow­er sec­tion runs on a ±9V dual sup­ply — the same topol­o­gy as our V4 — which gives you high­er head­room than the orig­i­nal V1 cir­cuit and any oth­er Bluesbreak­er-style ped­al out there. This is where most clones get it wrong. Think of it as the orig­i­nal Ver­sion 1 Morn­ing Glo­ry voic­ing with the V4 en­gi­neer­ing en­hance­ments. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Tone con­trol af­fects only the over­drive path. Your clean sig­nal stays par­al­lel and un­touched. For the peo­ple who care about this stuff: this is the most thought-out and so­phis­ticat­ed Morn­ing Glo­ry we've ever built. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eENDLESS HEADROOM, ANY VOLUME.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEnd­less head­room. Those mas­sive clean gui­tar sounds that you love on record­ings — most were made at vol­umes that would get you evict­ed. The Morn­ing Glo­ry Clean gives you the stiff­ness and au­thor­i­ty of a high-wattage amp at the edge of breakup — with­out the earplugs. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThink of the Clean con­trol as adding back in wattage, clar­i­ty, and punch.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eIT GOES ON EVERYTHING.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eStack a dis­tor­tion in front and the sus­tain opens up in­stead of clos­ing off. Run it af­ter de­lay for new territories of series\/parallel textures. First-stage over­drive? This is the best we've ever built. Pe­riod.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt breathes in front of amp mod­el­ers too. The over­drive and pres­ence of the classic Morn­ing Glo­ry, with your at­tack and low-end con­tent di­aled back in — magic in front of a Kem­per, Quad Cor­tex, UAD, or He­lix. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBass play­ers: the orig­i­nal Morn­ing Glo­ry rolls off low end just like a fi­nal mix. That's why you love it — that's why it's be­come a stan­dard on so many pro bassists' boards. The clean blend di­als that low end back on com­mand for your dif­fer­ent bass and ampli­fi­er needs. This might be the best bass over­drive we've ever made. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWho this isn't for.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis ped­al isn't for every­one and we're con­fi­dent in say­ing that. If you want the dopamine hit of a wild new sound, look else­where. If you want tons of con­trols, tweaka­bil­i­ty, bells and whis­tles — this is not that. This ped­al does less while giv­ing you more. No bad sounds. Im­me­dia­te gra­ti­fi­ca­tion. Leave it on and for­get it's there. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eCON­TROLS \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVol­ume — \u003c\/span\u003e\u003cspan\u003eAdjusts the overall volume in conjunction with the drive and clean. \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClean — Full left: orig­i­nal Morn­ing Glo­ry. Full right: pure clean sig­nal. Start with Clean and Drive maxed, dial Clean back (counter clockwise) un­til you find your perfect bal­ance. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrive — Sat­u­ra­tion. Crank it and use the Clean con­trol as your bal­ance. This ped­al is de­signed to be used this way. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTone — Clas­sic Morn­ing Glo­ry tone stack. Af­fects only the drive path. Back for warmth, for­ward for clar­i­ty. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClean Boost Pro Tip – Morning Glory Clean can be used as a stand-alone clean boost.  Set the Clean to 100% (fully clockwise) and  increase the Drive.  In this configuration, the Drive will not produce any overdrive clipping - only clean volume boosting. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eSPEC­I­FI­CA­TIONS\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- ±9V Dual Sup­ply (mas­sive head­room) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Top-mount­ed jacks \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- 9V DC Cen­ter Neg­a­tive\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Silent Buffered Bypass Switching\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 60mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48447114969331,"sku":"20JHS106","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/MG-Clean.jpg?v=1769712233"},{"product_id":"jhs-coyote-fuzz-pedal","title":"JHS Coyote Fuzz Pedal","description":"\u003cp\u003eA new breed of octave fuzz based on a lost circuit that belongs to no known lineage. Three effects all contained across one knob. A tribute to an unknown pioneer who deserved to be famous.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAn octave fuzz topology that has never been replicated for production — until now\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOne knob sweeps through three distinct effects: swell, fuzz, and octave\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExceptional touch sensitivity and volume-knob cleanup — rare for any fuzz, unheard of in an octave fuzz.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEvery octave fuzz you've ever played traces back to just a handful of circuits: the Octavia, the Super Fuzz, and the Tone Machine. The Coyote doesn't originate from any of these classic topologies. The Coyote is a complete replication of the obscure and very difficult to find Moonrock Fuzz by G.S. Wyllie, a reclusive North Carolina builder who sandcast his own enclosures, etched his own boards, and designed a unique fuzz utilizing a transformer in an unconventional way that sounds like nothing else — the product of wild experimentation combined with solid electrical engineering fundamentals.\u003c\/p\u003e\n\u003cp\u003eHere's what makes it strange: the circuit has a transformer, but it's not doing what transformers do in other octave fuzzes. It's not creating the octave at all. Glenn put it somewhere else entirely, where it acts more like an inductive element, shaping how the fuzz stage responds and contributing to the swell, fuzz, and octave character of the control. We've never seen anyone do this. The result is a texture and feel that doesn't exist anywhere else. He never mass-produced them. He passed away in 2014, still building. This is their tribute to Glenn and the wily circuit he left behind.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONE KNOB. THREE WORLDS.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Swell \/ Fuzz \/ Octave control is the heart of this pedal. It sweeps continuously through three distinct zones — each one a different effect.\u003c\/p\u003e\n\u003cp\u003eSwell — At its lowest setting, notes bloom in with a gated, reversed-tape quality. A slow, breathing attack that rises up from silence. The final stage of the circuit is allowed to turn on gradually, easing the signal in and creating a natural bloom that responds to your picking dynamics. We've only ever seen one other pedal attempt this — a thousand-dollar vintage piece with a dedicated footswitch for it. Glenn built it into a portion of the controls sweep.\u003c\/p\u003e\n\u003cp\u003eFuzz — At noon, a fully realized fuzz tone. Not a Fuzz Face. Not a Big Muff. The texture sits in Tone Bender territory — rich low end, aggressive mids, the kind of fuzz that handles chords. Shoegaze. Psychedelic rock. Full and powerful. \u003c\/p\u003e\n\u003cp\u003eOctave — Fully clockwise, the circuit shifts into aggressive octave-up territory. Intentionally uneven clipping emphasizes even-order harmonics, especially the second harmonic, pushing it above the fundamental to produce that snarling octave-up sound. This is pure Hendrix territory — and Glenn, who met Jimi several times in Greenwich Village, was always pointing here. He landed on it perfectly, his own way.\u003c\/p\u003e\n\u003cp\u003eThe transitions between zones are continuous. Explore everything in between.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT SURPRISED JHS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRoll back your guitar's volume knob and this pedal transforms. At lower settings on the Swell \/ Fuzz \/ Octave control, the Coyote becomes remarkably touch-sensitive — light picking gives you warm, controlled fuzz while digging in triggers the swell. It cleans up better than any octave fuzz we've ever played. That kind of dynamic response is almost unheard of in this category.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePut it first in your chain. Play it into another overdrive or an overdriven amp — that's how almost every iconic octave fuzz tone was created. Clean amps work, but the sound in your head usually has some overdrive after the fuzz.\u003c\/p\u003e\n\u003cp\u003eNeck pickup, above the twelfth fret — that's where the octave effect is most pronounced. Humbuckers push the swell and octave harder. Single coils give more clarity. Both sound great.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO THIS IS FOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis pedal isn't for everyone, and we're good with that. If you love Hendrix, Jack White, Gary Clark Jr., Beck, Black Keys, or the octave fuzz on John Mayer's \"Belief\" — you already know you want this. If you're a doom player, a riff rocker, a blues explorer. If you've tried every fuzz on the market and you're still looking for the one you haven't played — you're the Coyote. You're the fuzz scavenger. We found something for you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BUILDER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGlenn S. Wyllie grew up in New Jersey, learned to read schematics from his electrical-engineer father by age twelve, and built his first fuzz pedal at seventeen after hearing \"Satisfaction.\" He met Jimi Hendrix several times in Greenwich Village during that era — and never stopped chasing that sound.\u003c\/p\u003e\n\u003cp\u003eHe settled in the Appalachian foothills of North Carolina — woodstove heat, a dog named Simon, a Hendrix poster on the door, and metal guitar shapes hanging from the trees in his driveway. He worked at a local music store, played guitar in a band called Muletrain, and built pedals one at a time for anyone who found him.\u003c\/p\u003e\n\u003cp\u003eHis work ended up on recordings and stages with Paul Simon, Bruce Springsteen, Stevie Wonder, David Byrne, Joan Baez, and dozens more — played by NYC guitarist Mark Stewart, who called Glenn an \"unacknowledged American master.\" Glenn should be talked about alongside Mike Fuller, Paul Cochrane, Analog Mike, Zachary Vex, and Dave Barber — the pioneers of boutique. But nobody knows his name.\u003c\/p\u003e\n\u003cp\u003eWe couldn't find his family to tell them about this project. We tried. He's as elusive in death as he was in life. A true coyote.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVolume — Controls the output volume. Left is less, right is more.\u003c\/p\u003e\n\u003cp\u003eSwell \/ Fuzz \/ Octave — Sweeps through three distinct zones. Fully counterclockwise: gated swell with blooming, reversed-tape character. Noon: full, rich fuzz. Fully clockwise: aggressive octave-up with snarling harmonics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTrue Bypass\u003cbr\u003e9VDC Center Negative, 5mA\u003cbr\u003eTHIS PEDAL MEASURES 2.6\" X 4.8\" X 1.6\" AND CONSUMES 5mA.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48751553806579,"sku":"20JHS108","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-Coyote_Front.jpg?v=1774470864"},{"product_id":"jhs-3-series-glitch-delay-pedal","title":"JHS 3 Series Glitch Delay Pedal","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, careful quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 3 Series Glitch Delay is a delay pedal built around one singular obsession: time-based glitching. Inspired by the legendary Line 6 DL-4 and the ambient, smearing delay work of Bill Frisell, this pedal locks your core delay time in place while a randomized glitch event alters the playback speed in real time. This bends, drags, and warps repeats inside the delay circuit’s feedback loop. The result is a living, breathing delay that moves with you without losing your tempo. With Glitch fully counterclockwise it's a warm, musical delay pedal. No glitch, just classic delay tones that will fit any rig. Turn it clockwise and glitch probability increases up to 50% (when the knob is full clockwise), with the LED flashing in sync with each event. The Time control spans 20ms to 980ms, from tight slapback to long ambient pads. The Repeats control adds beautiful modulation as it climbs, and an internal limiter allows endless, never-runaway feedback. New notes stack on top of older, slowly dissolving repeats. The Mix toggle sets delay level at either a subtle 35% or a more present 80%. This is an easy to use pedal where no setting sounds bad. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Glitch Delay runs on 9VDC center negative power and consumes 65mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSKU: 3SGD\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLENGTH 4.42\" X WIDTH 2.38\" X HEIGHT 1.22\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48887975837939,"sku":"20JHS109","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-3-Series-GlitchDelay-Front.jpg?v=1777408639"},{"product_id":"jhs-3-series-bit-crusher-pedal","title":"JHS 3 Series Bit Crusher Pedal","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, careful quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 3 Series Bitcrusher was built from scratch to do two things with precision: reduce bit depth and reduce sample rate, with a filter to shape the result. The Crush knob controls bit depth, moving from full 24-bit resolution counterclockwise down to 1-bit clockwise,from unprocessed through grainy and textured, into square-wave aggression and gated digital distortion. The Sample Rate knob works counterclockwise from a clean 32.768 kHz down to 2.5 Hz, introducing aliasing and artifacts that range from subtle harmonic shifts to metallic, ring-mod-like chaos and full digital collapse. The Filter knob shapes both, fully clockwise is unfiltered. Turn counterclockwise to sweep the corner frequency and increase the filtering. The Type toggle selects the filter character: down is a second-order low-pass with no resonant peak, inspired by vintage synthesizers like Oberheim, full-bodied and well-suited to bass guitar. Toggle up is a high-pass and low-pass swept in succession, focusing a band of strong mid-range frequencies that evokes the small speaker sound of a handheld game console. Under the hood, this pedal applies a zero-hole filter,a theoretical signal processing concept that had never found a practical application until it became part of this circuit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Bitcrusher runs on 9VDC center negative power and consumes 65mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: 3SBC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLENGTH 4.42\" X WIDTH 2.38\" X HEIGHT 1.22\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48888032690419,"sku":"20JHS110","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-3-Series-BitCrusher-Front.jpg?v=1777409074"},{"product_id":"jhs-3-series-ring-modulator-pedal","title":"JHS 3 Series Ring Modulator Pedal","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, careful quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 3 Series Ring Modulator covers it all, from subtle, invisible modulation to full metallic chaos, with two distinct modes. The Blend knob mixes the ring modulation against your dry signal. The Frequency knob controls the speed of the ring modulator's oscillator, moving from slow, pulsing movement at lower settings to bell-like, metallic tones at higher ones. The Mode toggle selects between two algorithms. Down is Earworm mode, inspired by the now discontinued Way Huge Ringworm. The Tweak knob introduces an auxiliary LFO that adds wobble and movement to the modulation, turning a fixed ring mod into something alive and animated. Up is Green Lantern mode, inspired by the Green Ringer circuit, a wave rectifier that produces a natural-sounding octave effect alongside the ring modulation. In this mode, Tweak blends the octave effect from off to 100%. Used subtly under a solo, it adds a barely-there harmonic presence. Pushed hard with gain in front of it, it becomes something considerably wilder. Ring modulation has been around since the 1970s, and this pedal is our take on giving you everything the effect has to offer in one of  the simplest possible packages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Ring Modulator runs on 9VDC center negative power and consumes 65mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: 3SRM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLENGTH 4.42\" X WIDTH 2.38\" X HEIGHT 1.22\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48888040325363,"sku":"20JHS111","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-3-Series-RingModulator-Front.jpg?v=1777409297"},{"product_id":"jhs-fumble-clean-boost-pedal","title":"JHS Fumble Clean Boost Pedal","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Fumble is a faithful production version of the other circuit Josh from JHS cloned for John: the Dumble BBC-1. Once the NOTADÜMBLË V1 was discontinued, customers started telling JHS how much they loved that circuit and how they wished it was sold separately. The Fumble is that exact circuit, now in its own compact enclosure with its own self-deprecating name, an $89 price point, and no kit to build.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere is where the story gets stranger than fiction. While digging back through the original Dumble unit's history, JHS realized the BBC-1 isn't really a Dumble circuit at all. It's a JFET preamp lifted almost part for part from a Barcus Berry acoustic preamp made in the 1970s — the kind of small utility box that bridged piezo pickups into electric guitar amps in an era when nobody had a modern acoustic preamp. Howard cloned it. Put it in his own enclosure for a handful of local LA players. He then used the same JFET stage inside his amplifiers and called it the FET mode.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhich means the legendary Dumble FET sound — the one inside $200,000 to $400,000 amps — is a clone of a 1970s piezo preamp.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Fumble is a clone of that clone of that clone. Three generations deep into one of the strangest chains of events in pedal history.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWHAT IT DOES\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Fumble has two knobs, true bypass switching, and creates a particularly enhanced clean tone.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT is your master volume. Turn it up for more volume.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT is the one that surprises people. It is not a standard gain knob. It attenuates bass and input gain at the front of the circuit simultaneously. Fully right has no cut — consider it a bypass of the control. As you turn the knob to the left, bass and gain are gradually attenuated. Roll it down for a thinner, tighter response. Roll it up for a fuller, louder one. There is almost nothing else on the market that boosts in this way.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eUse the Fumble four ways :\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. As a permanent buffer and clean boost at the front of your board. Set the output low, dial the input to taste. It tightens up everything downstream and gives you a sweetener you stop noticing because you never want to turn it off.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2. To slam the front of your overdrives. This is the secret most players miss. We default to stacking gain after gain after gain. Putting a clean JFET boost like this before a Timmy, a King of Tone, a Klon, or a Morning Glory — that's often the better second stage you've been hunting for but just didn't know it.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e3. To slam the front of a dirty amp. Tweed, Plexi, anything broken up. The Fumble makes it bigger and more articulate. Roll the input back for a tighter, treble forward attack into a cranked amp.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e4. As a solo boost at the end of the chain. Crank the output, set the input where it feels best, hit it for the chorus or the solo. Done.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWHO THIS IS FOR\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you bought the NOTADÜMBLË V1 and loved the clean section, this is what was actually inside it.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you missed it, this is a beautifully simple JFET clean boost with a control set you won't find anywhere else.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you've ever paid a lot of money for a Dumble style boost from another builder, you should know the genuine article is simple. Uncomplicated. Affordable. It was always a version of an acoustic guitar preamp from the 70's.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWHO THIS ISN'T FOR\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is not an overdrive or a high gain pedal. If you want the lead tone half of the Dumble equation, you will want the NOTADÜMBLË V2 which updates the V1 with the the proper Box It Later clean section and the overdrive channel – in a single solderless DIY kit with two footswitches, an order toggle, and an added effects loop.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHE NAME\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJHS had the \"Fumble\" name and football helmet icon rolling around internally since April 10, 2012. It was originally going to be a Dumble style overdrive in our catalog, but the Moonshine took its place years ago.  We never seriously revisited the Fumble project after then and the icon and rubber hand stamp went into a drawer for fourteen years. When all of this happened in 2025, the name was already there, waiting for the biggest fumble we had ever made as a company. Sometimes the universe hands you the punchline way in advance.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSKU: FB\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTrue bypass JFET clean boost\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTwo controls : Input (bass and gain attenuator), Output (master volume)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e9V DC center negative, 5mA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAssembled in Kansas City\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 1.96\" X 3.93\" X 1.21\" AND CONSUMES 5mA. DO NOT USE MORE THAN 9VDC CENTER NEGATIVE. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":49071584674035,"sku":"20JHS112","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2433\/files\/JHS-Pedals-Fumble-Front.jpg?v=1779079060"}],"url":"https:\/\/www.truetonemusic.mom\/collections\/jhs-pedals.oembed","provider":"Truetone Music","version":"1.0","type":"link"}